By Rachel Holmes What are the new trends in menswear? With one fashion week over (Milan menswear) and another to come (Paris menswear), we've been taking an unhealthy interest in men's clothing this week. Of course, it's nothing to do with all those half-naked male bodies strolling down the catwalks. No, we're wholly focused on trendspotting for our loyal readers. Honest. Our overriding impression so far is that everything seems unnaturally wearable. This is a good thing in the world of fashion, and probably shows the designers' reaction to the recession. No freaky couture showpieces here; instead we've seen beautiful soft tailoring and slim fits. Jackets were cut sharply with slim, defined shoulders and thin lapels: check out Raf Simons for Jil Sander. Trousers were cigarette cuts ending just above the ankle, often with something going on in that area: cuffs, roll-ups or zips (a la Gucci). Or they were baggy with pockets, in a nod to utility wear. We also saw the odd harem pant (but we'd prefer not to mention that). Gucci, Prada and a few others showcased skinny ties, or no ties at all, with shirts buttoned up to the top and thin collars. Elsewhere we saw a lot of loose-fitting vests, generally with slashed fabric - we'd advise getting a tan before attempting to pull this off. The safari look from last season carried on in many of the collections. Missoni had a lot of sunbleached khaki, which made the models look as if they'd spent a week traversing a desert. Versace used loose-fitting linens in a colonial look, involving tunic tops and trousers in shades of white and cream. The other overriding influence was the eighties, but this was seen mainly in the shiny fabrics and trims rather than in the tailoring. There were no power shoulders here. In terms of prints and patterns we noticed folky yet geometric knits from Missoni; bold monochrome prints and horrible skiwear-of-the-eighties knits from Gucci; and striped boating blazers at Frankie Morello and Vivienne Westwood. Fabrics were often distressed (Emporio Armani) or faded, sometimes adding an air of bygone elegance (Bottega Veneta). Colours were muted, almost autumnal in some cases, and we saw A LOT of grey. In fact, we predict that shades of grey will be hot this time next year. There was also the odd flash of colour: bright oranges, reds or limey yellows. An honourable mention goes to Raf Simons for Jil Sander, whose clothes were inspired by the work of the Japanese artist Tsuguharu Foujita. Raf said of the collection, "It is a message of love - very pure, very simple". We were feeling the love for the prints, but when it came to the pudding-basin hairdos we only felt nauseous. We were pleasantly mystified by the Cavalli show. Models seemed to be wearing trousers that could zip up to the mid-chest. Fashion Statement spent a good ten minutes pondering who, of the men we know, could get away with this singular look. Interested? Take a look here. We liked the BMX stunt-cyclists on the catwalk for Emporio Armani. Last but not least, thanks go out to Dsquared2, who made us giggle with their camping on the catwalk theme. We called it 'German tourist meets lumberjack and skater in the Bavarian mountains'. |
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Check out the best and the worst of Wimbledon fashion in our picture gallery.
Hadley Freeman on the frightening popularity of harem trousers.
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